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       Korea fever rages in Asia - January 26, 2002</title>
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                       January 26, 2002
                        <! head ends here >                         Korea fever rages in Asia
                         (SINGAPORE) All things Korean - from

food and music to eyebrow-shaping and shoe styles - are becoming all the rage across Asia -

where pop culture has long been dominated by Tokyo and Hollywood.

Not long ago, Korea's

best-known cultural export was kimchi, the pickled cabbage and chilli dish known for its fierce,

pungent spiciness.

But now South Korean TV shows, films, pop stars and fashion are even

hotter - or cooler, as Taiwanese TV official Amanda Yang put it as she extolled the 'K-pop'

bands SES and Shinhwa.

'They look like street gangs - so cool that you want to punch
them,' said Ms Yang of Channel TV.

A South Korean TV tear-jerker series, The Autumn

Story, was such a hit in Taiwan last year that fans from there took group tours to the South Korean city of Sok Cho, about 150 km north-east of Seoul, where the story's imaginary lovers grew up and

met again after years apart. The series ended with the main female character dying of cancer.


In Vietnam, South Korean TV dramas provide the tightly controlled communist country with an enticing glimpse of the outside world. The shows are so popular that fans sometimes have to

choose between two aired at the same time - on Hanoi's total of four channels.

In the streets

of Ho Chi Minh City and Hanoi, fashion-conscious young Vietnamese have adopted the darker makeup colours, thinly shaved eyebrows, body-hugging clothes and square-toed shoes of Seoul

fashion.

Even in Japan, long Asia's fountain of cool, South Korean pop culture is invading the

airwaves and box office. Japanese media are zooming in on any little bit of Seoul as the two

countries prepare to host the World Cup soccer tournament in June.

Japan's hottest record

label, Avex, has signed distribution deals with several South Korean pop acts including the

five-member boy band Shinhwa and SES, a female trio.

The concept of Koreans as two

warring peoples split by barbed wire and ideology is a recurring theme in Korean films, and seems

to fascinate people across cultures - maybe partly for its analogy of forbidden love.

The film

Swiri, about two spies from North and South Korea who become lovers, was a surprise hit in

Japanese theatres last year.

Joint Security Area, another huge hit in Korea and abroad, depicts

tension and friendship among four South and North Korean guards at the truce village of Panmunjom, which straddles the north-south frontier - the world's most heavily armed border.

South Korean entertainment has also gained a foothold in Hong Kong, whose mass-produced
films and Cantonese pop music have been staple exports to the rest of Asia.

Now, Hong

Kong's tabloid magazines feature South Korean movie stars and singers, and Dicky Tsang of the city's POV Square bookshop says sales of South Korean video CDs have surged by about 30 per

cent this year.

Despite Hong Kong's reputation as a shopping mecca, some of its residents are
now making forays into South Korea's malls and markets.

The Chinese are talking about

'hanguo re' - literally, Korea fever. Walk into a Beijing fast food restaurant and you're likely to

see a South Korean boy band warbling and dancing on a TV screen.

'In the 1980s, it was

Japanese, Taiwanese and Hong Kong singers and movies, but now Korea is the thing,' said Zhang

Jianhua, owner of a Beijing video and music shop.

Korean pop culture is seen as fresh and

edgy, but non-threatening because 'they're Asian and they look like us', Mr Zhang says. 'So it's

easy to identify with them.'

Sociologist Habib Khondker agrees. The Korean fad is part of a
region-wide 'reassertion of Asian identity', he said.

'It's kind of a pan-Asianism . . . You can

look for alternative cultures, not necessarily European or American,' said Mr Khondker, a

university teacher in Singapore, the latest country to be hit by Korea fever.

Korean restaurants

are surging in popularity in the food-obsessed city, and Korean TV dramas have become all the

rage in the past few months.

There is an economic element as well. Asia was hit by a harsh
financial crisis in 1997, and is now struggling with the global economic downturn.

'Korean

songs, TV dramas and films are very competitive in costs', making a challenge to Japanese fare,

said Kim Hee Teck, counsellor at the South Korean Embassy in Singapore.

South Korean

films are more popular simply because they are improving, said Philip Cheah, director of the Singapore International Film Festival. One of the best is Joint Security Area, he said. 'It's very polished, and it's very entertaining,' said Mr Cheah, who sits on film festival juries around the

world. - AP

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Korean Wave in Asia

        


                       By Yang Jung-in                        Cultural Reporter                        mailto:cedar-1@hanmail.net
 

   Korean cultural syndrome is blowing in Asia. We can easily listen to our pop music and see the pictures and posters of our singers and actors in many other countries such as China, Taiwan and Vietnam and other places in Asia. There was a 'Super Korean Concert' in China on July, 6th. Koreas top singers like NRG, Baby-vox and Lee Jung-hyun showed off to thousands of Chinese fans. There was no dance genre in China 3 or 4 years ago. In Chinese culture there is mainly calm music such as ballads, our singers' dynamic performances and powerful dance excites them. The teenage group H.O.T was the first Korean group to release their album in China. After that many Korean singers expanded into China and a special channel to introduce Korean music came into being.

   Why are Chinese young people crazy about Korean pop music?

They say that the Korean dance music has a strong visual image. Our dance music has grown to be internationally competitive. The dancing and dress style becoming popular over the last ten years. Also, the Korean emotions in dancing appealed to people. Chinese lyrics are usually like poetry while Korean lyrics are more positive and straight, and these are attractive to the Chinese. You may wonder then that why Japan which has a more cutting edge style doesn't succeed there. Japan has already tried the Chinese market. Popular Japanese singers have performed large concerts in Beijing and Shanghai but they weren't successful. The answer is that their emotions didn't agree with the Chinese. One psychologist has said that Japanese culture is too violent or weird to accept easily while Korean culture is easy to adjust to properly and their outside appearance is sharp just like in Japan and America. Another reason is in the history. The fact that Japanese invaded and did bad things in China in the past make the Chinese reluctant to accept them. Anyway, Korean culture is accepted in China and they are enjoying it now.   

   Our pop music has marched into Vietnam under the slogan of economic development in the coexistence of socialism and capitalism after 1986. Vietnam's first concern was whether our economy has achieved successful economic development. They had a bad image of Korea because of the Vietnam war, however, our popular culture had an important role in mending that.   

   The movie 'Jim', which not many Korean people took notice of it, achieved great success and An Jae-ook who starred in the movie became a celebrity in Vietnam. One person who specializes in interpreting foreign films for the audience said that he has almost memorized the script because the movie has run a long time. Besides movies, our dramas were exported and our actors are gaining popularity. Especially, Jang Dong-gun who is treated like a Vietnamese national actor.

   Korean actors' popularities in China and Vietnam influences the sale of Korean goods. The make-up company, advertising with the actress Kim Nam-joo, has won contracts over French and other European companies.

   In Taiwan, candidates run for Presidential office using Clone's song. They choose Korea where there was a successful change of the government and they want to show that image. Clone's wild and powerful stage show was a shock to the Taiwanese where ballads were the mainstay. Taiwan is a flexible country. It was governed by Spain, the Netherlands and Japan. There was Japanese culture that satisfied the teenagers' needs in Taiwan. But as Korean culture has moved in, they are now in favor of Korean things. New faces, new content and new video techniques were enough to attract them.

   It is a very remarkable thing that Korean culture is gaining popularity in Asia. It's a great opportunity that we can take the leading role in the economy and culture of Asia. The quality of culture is important in order to continually make progress into the larger markets. The Minister of Culture and Tourism Kim Han-gill said the government will support the cultural businesses and plan to build a center in China and Korea to help tourists experience our latest culture. I don't think Asian countries accept Korean culture easily just like we don't when we accept Japanese things. If we rush it without an extensive plan, we will go the way of Hong-kong, which was popular at one time in Asia. It's up to us whether we are overtaken or not.

 

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